The content of the terms «community», «unity», «interaction» of Slavic peop­les to still inspires the researchers whatever the epoque and the sphere of knowledge – lan­guage, lite­rature, culture, political and social history it is concerned. The current vague­ness, uncer­tain­ty of these terms and concepts leads to a multiplicity of inter­pretations, depending on the poli­tical and cultural approaches. Only regarding them as his­torical categories will fill them with specific values ​​and their transformation over the time as well as the functioning of the whole complex of symptoms of peoples community and their cultures or some of its com­po­nents, to determine which of them belong to the past, which become the dominant value, and which turn to meaningless stereotypes.

The article under consideration deals with the problem of connection with the Russian Romantic Poetry of the XIX century. The analysis of the system of tradition reveals specific features in forms of the Russian Romantic Poetry of the XIX century.

Presented review of the life and work of A.N. Potresov known political fi­gu­re, publicist, literary critic, member of the The Russian Social-Democratic Party, the ide­ologist of «menshevism».

The article is devoted to the personal and creative life of N.N. Ge, to the perception of his work by Rus­sian painters, and to its place in the history of Russian art. Religious ideals of Ge are revealed, as well as their connection with the ideas of Leo Tolstoy.

The article discusses specific for slavic languages morpho-syntactic category, formed by the combination of the numeral with nouns and characterizing the quantity or size the object. The numeral itself is regarded in connection with this category. The material is analysed both diachronically (the history of the Slavic languages) and synchronycally (the Slavic languages themselves), and the material of some other lin­gu­istic types.

The problem of motion of Pushkin’s poetic thoughts on the example of the surviving drafts of his lyrical works is discussed in this article.

The author introduces the experience of the Faculty of Philology in the remote online Internet Olympiad for Byzantine, Modern Greek and Slavic Studies.

The article describes the nature of the evolution of the grammatical norm of the Eastern variant of Church Slavonic language in the use of past tenses and the dual num­ber. The research is based on the material of Church Slavonic ma­nu­scripts, that were created in the North of Russia. The overall purpose of the re­search is to describe the func­tioning of past tenses of verbs and the dual number at the end of fifteenth century and in the sixteenth century.

The article presents an analysis of three stories about the Azov («fabulous», «his­toric» and «poetic») in relation to their normal grammatical book-slavic language.

The author considers the novels of F. Andahazi «Conquistador» and «City of Heretics» in relation to the concept of Russian modernism and in relation to the Euro­pean cultural tradition.

In the article is discussed a program of renovation of the Russian Orthodox Church beginning of the XX century, prepared the ground for the post-revolutionary split.

This article contains information about the anniversary of M.V. Vse­vo­lo­dova which was celebrated at the Philological Faculty, about the Collection of scientific articles and Scientific readings, organized at the De­part­ment of Linguistics and Theory of didactic russian teaching as a foreign language.

The article is devoted to the life and work of the slovak specialist in russian philology professor A. Červeňák, presented his research interests, his understanding of the historical and literary process, his aesthetic and anthropological concept of literature and art.

The article illuminates the creation of the School of a young philologist at the Philological Faculty of the Moscow State University and its work day by day.

The author believes that Russian poetry, which is currently not in the foreground, is not really dying, and goes to the «sand» of the Internet. On the material of site Stihi.ru authors shows, how the state and the existing of poetry in the modern world: it develops spontaneously, freely, without control, but not overwhelming editorial and editorial dictate. It produces new mechanisms of self-purification, screening, self-organization of the poetic power, the author is convinced that gradually leads to a new upsurge. It is important that the decisive role it plays – and, apparently, it will still be playing – Pushkin and Blok, Akhmatova’s a tradition that basically does not accept vers libre. High quality the better part of this poetry author shows on the material of the two collections «stihirskih» authors.