2026 # 2 (76)
Moiseeva V.G.
To the Question of Cinema Potentials of Literary Text (based on V. Nekrasov’s Story “In the Trenches of Stalingrad”)
Abstract
The article analysis the concept ‘cinematographic’ in literary text. The ways of transforming a verbal image into a visual one preserving the vision of reality characteristic of a literary work are studied. A comparison of V.P. Nekrasov’s story “In the Trenches of Stalingrad” and its film adaptation (the 1956 film “Soldiers”) allows to trace the process of transforming a verbal image into a visual one.
Key words
cinematographic, verbal image, visual image, cinematic language, film adaptation, V.P. Nekrasov, Great Patriotic War
