2015 # 5 (13)
Kalinina E.A.
Cinema as silence, theatre as a word in Philippe Garrelʼs films Elle a passé tant d’heures sous les sunlights... and Les baisers de secours
Abstract
The article considers interplay between theatre and cinema in Philippe Garrel's films of the 1980s Elle a passé tant d’heures sous les sunlights... (1984) and Les Baisers de secours (1988). In particular, the role of theatre in creating the oppositions «past – present», «dream – reality», «contemplation – action», «silence – word» in cinematographic space is analysed.
Key words
Philippe Garrel, Elle a passé tant d’heures sous les sunlights... , Les Baisers de secours, cinema and theatre
