The article reveals the characteristic for the creative aspirations of the second half of the twentieth century, the shift in scientific discourse to fiction. In the ʻRecords and extractsʼ M.L. Gasparov international discourse led to a sequential transformation of classical philosophical and literary terminology, and also led the scientist to revise the classical conception of creativity. Considered dissipative process in the field of anthropological ideas Gasparovа, shows the birth of a «new order out of chaos». Analysis of interdiscursivity linked to the review of formation of new features of the genre of ʻRecordsʼ shown their «romanization».